Life

Outside the deal.

Vintage computers, an EP on Turbo Recordings, a Roland TR-808 and TB-303 in fondant, most of my twenties in Europe, rock hounding. The usual list.

Where it started

A family of tinkerers.

My dad worked at DuPont/Berg Electronics, the home of Berg connectors. My uncle Tom was a senior systems analyst at the FDA who built R/C planes for the Civil Air Patrol. Our house had PCBs and capacitors where other houses had LEGOs, and we got a computer before most of the kids I knew. At eleven I found BBSes, then a dialup Unix shell, then IRC.

Legend of the Red Dragon BBS town square screen
Legend of the Red Dragon.
Scandinavia, at fifteen

At fifteen, I flew to Sweden alone.

I did a summer exchange to Nässjö, Sweden. I raised the money myself, writing letters and selling candy to my sugar-addicted classmates, because the demoscene had already pulled me toward Europe.

I went back the next year as a full-year exchange student at Nordfyns Gymnasium in Odense, Denmark, and attended The Party, which was then the largest demo party in the world.

Jessica at The Party demo event in Denmark, 1999, with CRT monitors in the background
The Party, Denmark, 1999.
1998
Nässjö, Sweden
Summer exchange.
1999–2000
Odense, Denmark
Exchange year, Nordfyns Gymnasium.
Europe, the long way back

London, Aberdeen, and home via Helsinki.

In 2006 I moved to London on a Highly Skilled Worker visa, on the strength of my condo-hotel work in Miami. I lived in London but commuted to the University of Kent in Canterbury every day. Two hours each way, before the high-speed Kent rail existed.

Around 2009 I moved to Aberdeen and stayed about three years. In early 2012 I went back to the US for a few months, then flew back to Europe to compete at Revision in Germany in the C64 graphics competition. From there I went to Finland to visit demoscene friends, met my husband Juha, and stayed until we moved to San Diego in 2013.

C64 pixel art: winged heart with crown
Revision 2012.
The music

Acid Bitchez, on Turbo Recordings.

In 2015 my husband Juha and I started a project called Acid Bitchez. Juha wrote and produced the track Thinking About Acid. I wrote the lyrics and did the vocals.

It landed on Tiga's label, Turbo Recordings, via producer Jori Hulkkonen, who also contributed the A1 remix. The EP includes remixes from Joeski, Zia, and General Ludd. VICE premiered the Zia remix in early 2016.

The house is full of vintage computers (Commodore 64, VIC-20, Amiga) and analog synthesizers.

Acid Bitchez: Thinking About Acid Remixes, 12 inch vinyl back cover
Turbo 176. Acid Bitchez, Thinking About Acid Remixes. Released February 5, 2016.
With my hands

What I make outside work.

Roland TB-303 cake made for a birthday, edible fondant, on a silver tray surrounded by smiley face and vinyl record decorations Roland TR-808 and TB-303 cakes on display at the San Diego Cake Club with a 2nd place ribbon
The cake
A birthday cake, a Cake Club ribbon.
The first one was my husband's birthday cake: a Roland TB-303, actually edible, with fondant smileys and Happy 33 vinyl around the tray. The second was a TR-808 and TB-303 pair I entered in the San Diego Cake Club amateur-sculpted category, styrofoam bases with fondant on top. That one took second place.
A stained glass cookie: royal-icing border around a tinted melted-sugar window
The cookies
Smart glass, in sugar.
For an internal baking competition at View, I recreated our smart-glass product in cookie form. Royal-icing windows around melted-sugar panes, one cookie per tint state, all four states of our actual product.
Abstract oil painting with yellow, black and blue drips
Paint
Oil on canvas.
Handmade cold-process soap with yellow, black, and white swirls
Soap
Cold process, from scratch.
Glazed brioche rolls with salt flakes
Bake
Bread, choux pastry, French macarons.
Homemade noodles with bok choy
Cook
Vegetarian. Unapologetically serious about butter.
Jessica and Juha on the beach with a metal detector
Search
Metal detecting on San Diego beaches.

Anza-Borrego is my sanctuary.

I go for the geology. The Pliocene record out there is largely undisturbed, and the BLM land around the state park lets you actually get into it. San Diego is home base.

Jessica in the Anza-Borrego desert at golden hour, photographing the badlands